Keith Allen will debut his controversial film, ‘the inquest of the inquest’ of Princess Diana, at the festival as Unlawful Killing will not be shown in UK cinemas
guardian.co.uk, 10 May 2011, Guardian, http://www.guardian.co.uk/film/2011/may/10/princess-diana-documentary-cannes ‘What I found was horrifying’ … Keith Allen and Princess Diana. Photograph: Tim Rooke/Rex Features and Rex Features
Unlawful Killing, a labour of love developed over three years following extensive interviews with people who knew his subject, alleges that “dark forces” within the British establishment worked to cover up the true details of Diana’s death in 1997. It is described by Allen as “the inquest of the inquest” and has drawn controversy because it will show a photograph of the dying princess taken by paparazzi moments after her car crashed in a Paris tunnel.
The black-and-white image is reportedly so graphic that it was pixelated during the inquest into Diana’s fatal crash. It will not be shown in Britain because the film itself is not being shown in cinemas – due, Allen says, to lawyers who insisted on extensive cuts.
“Screening this film in Cannes for the world’s media will be both exhilarating and terrifying for me,” said the star of Shallow Grave and Trainspotting. “As far back as 2004, I had been intrigued by Mohamed Al Fayed’s unrelenting determination to seek answers to the questions surrounding the death of his son, Dodi and Princess Diana.
“By going ‘undercover’ at the inquest, I hoped to reconcile some of my own suspicions too – but what I experienced was horrifying. This film is, in short, the inquest of the inquest.”
Unlawful Killing will combine a recreation of the inquest and interviews with the late Tony Curtis, Howard Stern, Kitty Kelley, Mohamed Al Fayed, Piers Morgan and Michael Mansfield QC. Dave Stewart provides the original score.
Writing in the Guardian, Allen said: “Unlawful Killing is not about a conspiracy before the crash, but a provable conspiracy after the crash. A conspiracy organised not by a single scheming arch-fiend, but collectively by the British establishment – judges, lawyers, politicians, police chiefs, secret services, even newspaper editors – all of whom have been appointed to their positions because they are ‘a safe pair of hands’. “Just as compass needles all point north without being told to, so these people instinctively know what is expected of them when the state’s interests are under threat and they act accordingly, quietly suppressing uncomfortable evidence or undermining the credibility of witnesses whose evidence contradicts the official narrative.”
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